We Can Prompt History For You Wholesale

History, Meet a Chimp with a Gun

Earlier today I had come across one of those posts that could only be described as a “We Wuz” post, the ethno-narcissistic lens of history that is applied by an out-group to suggest that they were the original group of people, or have really been the ones with the glory, power, and influence. While I’m referencing the racially charged phrase “We Wuz Kangs”, in reference to how many Black and African groups in Western Countries will offer counter-prevailing and counter-factual narratives to the known historical record, such as that modern blacks were the actual Pharaoh’s of Ancient Egypt, or the other kind of hidden figures of history that tend to be overlooked by nature either by the “bigotry” of their time or making mythological figures out of those who did little to no actual work on a project.

What had spurned me to write this short little piece was this video:

Now this is certainly nothing new, claims over “Historical Accuracy” have been long debated in film, television, movies, and in the theater (yes, Hamilton is a minstrel show.) Bridgerton is another good example of this, along with Fehinti Balogun (an African actor) playing a role in the recent adaption of A Gentleman in Moscow. As I was looking at this video, and the obvious fact that such an image was AI generated, I couldn’t help but think that we’re watching the floodgates open where countless images like the one above will be used by the biggest idiots out there claiming that there was no such thing as England, or at least an England with a near 100% White English population.

Couple this with Western Academia’s desire to destroy its great heritage and legacy, that the West did not create great things, or that diversity was always around, or that there is no such thing as German, French, or English. Not only has the historical demographics of European and Anglosphere nations been questioned, but also the traditional wisdom, practices, rituals, and norms of the past have been erased for the purposes of progressivism’s desire to rewrite all things into its presentism narrative. All history, Pre-Christian, Christian, and everything else must fit within the performative, chiliastic march of progress to destroy the good and proof of what came before them.

One only needs to take a look at how even the tales of epics, adventures, and non-Christian peoples have been twisted and warped to fit today’s form of the Progressive American Cosmopolitan Ideology.

The same applies to the same cosmopolitan urge to subvert, change, and use what exists to serve their own ends when it comes to the religions and beliefs of today. Americans are by and large one of the most religious peoples still in the United States, and as Stephen Wolfe points out- its White, Evangelical Males are its moral backbone, or at least have the most resistance to the progressive spirit of the age. But then you get this nonsense subverting and attacking the Christian religion.

But I’ll get back to the subject at hand.

As the United States continues to see its academia slip in standards, focus on progressive presentism and revisionism over the classics and data, new pedagogies, educational perspectives, any form of truth will be lost. While indeed History as a discipline has always been subject to biases since the beginning of the world, it will be easier to lose the historical record and reality for something far more subversive and dangerous while generating images that for many (especially as American IQ declines) will be harder and harder to tell a difference.

These two images here are AI generated. They’ll be easy to spot for the trained eye and those willing to research the image’s origin, but it won’t stop a flood of them being used to support various claims of “the real Britons” “the real Americans” or as a recent video game shitshow has shown us, “the real Japanese.”

Standards, Intelligence, and Competence continue to fall, while Anti-White Narratives remain as one of the most effective corralling tools for the progressive coalition. Intersectionality as a political organizing tool to get disparate groups to “rage against the system” in a state of perpetual revolution despite being openly state sponsored at times illustrates its power. Even as the events following October 7th, 2023 have radically changed how the progressive coalition acts, one can take a look at a progressive curriculum proposed by a teacher's union in Portland, Oregon.

Even in the midst of leftists decrying “imperialism” or “zionism” (which mindkilled many on the right) the phrase “rules were mostly fair for Jewish people with White skin” gives the game away.

As statues are torn down, the the iconoclasm of American, European, and other Western figures from former presidents, prime ministers, scientists and explorers, the “new” members of these civilizations will generate their own history. The Black American writer James Baldwin, notes in his autobiographical notes from his Collected Essays the following:

I know, in any case, that the most crucial time in my own development came when I was forced to recognize that I was a kind of bastard of the West; when I followed the line of my past I did not find myself in Europe but in Africa. And this meant that in some subtle way, in a really profound way, I brought to Shakespeare, Bach, Rembrandt, to the stones of Paris, to the cathedral at Chartres, and to the Empire State Building, a special attitude. These were not really my creations, they did not contain my history; I might search in them in vain forever for any reflection of myself.

Now, when the powers that be maintain a zeitgeist that is eager to invite those who would tear down the stones of Parish, damage Stonehenge, or witness millions of Muslims inside of Europe rejoice in the burning of Notre Dame Cathedral. History is maintained and survived by storytellers, of both great works of historical records to local legends staying alive by oral tradition. What will be the record of history of these so-called “New Europeans” or “New Americans?” The moment now where remigration is at its highest levels of support in many parts of Europe and America, is when the moment must be taken to preserve the state of those historical nations and peoples. The current histories being told in American pop-culture now are fake narratives about Flaming Hot Cheetos, and a biopic film about Air Jordans. This is the state of History and Identity, brands can be identified, but the new arrivals, the invaders have no ties to Bach or John Jay other than knowing that they were old white men that they can slander because the dead can’t fight back. For it doesn’t matter what their contribution is to history because as long as they’re here they’ll have the tools to say “we were always here, you see and this prompt says it was actually an Indian Architect like me who brought plumbing to Paris. Now if you’ll excuse me, I have to shit in the street.”